I have been painting on canvas and more recently aluminium composite panels for sixteen years and professionally for five. My preferred medium is acrylics as they give my work a crisp, distinctively edged look. I also use water-mixable oils from time to time.
Realistic paintings depicting subject matter I have experienced directly or photographed is the mainstay of my art. I get bored easily of the same subject matter and try to vary it up a bit. Having said that, I return to nature near where I live time and time again feeling disconnected from art, even life in general, if the length of absence is too long. In the past I used to religiously pursue a kind of photo-realist style, sometimes I still do that, but I’ve tried to go a bit looser more recently.
I’ve lived in a beautiful part of the southern coast of Ireland almost all of my life which influences much of my painting. I grew up on a tillage and sheep farm, my father was a farmer. The passing of the seasons and how the worked fields change with them is a recurring theme because of this early experience. My father was also an early, strong support to me having a go at art. He died when I was 15. About a year after his death, the once busy farmyard, now deserted, became the ground zero for practicing art. I did a few scenes around there, enjoyed doing them and art became a hobby for a number of years.
I studied history and archaeology in university and for a few years practiced commercial archaeology, working on rescue digs in advance of motorway work around Ireland. All that stopped in late Spring 2008 with the economic downturn. With no future in archaeology and no desire to pursue advanced studies in it, I returned to painting, devoting myself to it and honing my practice over the following years.
I’ve had six solo exhibitions so far, five of which in the Grainstore in Ballymaloe, a multi-purpose venue four miles away. It has given me the opportunity to sell quite a few paintings as well as meeting people from all over the world and getting feedback on my work. I act as art dealer and curator in setting up my exhibitions and taking sales while attending there almost daily, enjoying this DIY, hands on approach.
I live less than 200 metres from a beach. Even though I’m so close, it’s not as dear to me to paint as farmland is. The beach, due to steady erosion of soft, low, clay cliffs is advancing towards home a little bit every year. The sea will always be there but the fields around may not be, so I live in a transient landscape long term.
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