
A small painting, 8 inches by 6 inches of a sunset with the light rapidly dying and twilight creeping in.

A small painting, 8 inches by 6 inches of a sunset with the light rapidly dying and twilight creeping in.

In late December, 2009 a severe cold stretch of weather began that continued into early 2010. This painting records that time. Fortunately, because where I live is so close to the sea we were spared the worst of the snow and ice as can be seen from the fields, where muted greys and browns can be seen rather than a continuous blanket of white. This is my third painting in my series of painting the same view over four seasons.

Depicts a high sea during a rough evening. Sold.

Painted this in two and a half weeks in December 2009. Used artistic licence in the clouds and the tower itself. The clouds are coloured more purple than reality, while the shaded stones are green; I thought they’d go nicely with the sky. Cloyne is a nearby village, with a history stretching back to the 6th century. Sold.

Painted this in November 2009. This castle is half a mile from my home. It’s a late Medieval tower house owned by the Carews, a local Anglo-Norman landowning family. People have been impressed by the realism of this piece.

I had noticed before I started painting this, that there is a fine contrast between street lighting and the twilight sky, between the yellow/orange glow and deep indigo of the sky. I was staying in Galway when I started on this, a fine town with an impressive cathedral. I like this painting a lot.

Painted this during the summer of 2009. I used blotches of various bright colours to give a dappled texture to the tree. I was meticulously imitating a small photo so it took some weeks to complete this. Carew’s Wood is a local garden centre.

I love how the northern sky retains a twilight glow long after the sun has set at this time of year. This how it looks around 11.30 pm.
I hadn’t painted for 6 months before I started this. I was determined to make a highly detailed painting as I was a little disappointed with the previous painting’s foreground. Based on a reference photo; the day I took it I wasn’t in the area, I was down by the prom walk in Garryvoe and noticed bales in the field on the higher ground. When I got there I found that they were in every field towards the sea. So I spent the next 6 months painting. The last 3 were spent on the foreground, doing those stubbles trying to depict the sunlight reflecting off of them. No compromise!