A small painting, 8 inches by 6 inches of a sunset with the light rapidly dying and twilight creeping in.
Tag Archives: niall mccarthy
Midwinter View of Garryvoe
In late December, 2009 a severe cold stretch of weather began that continued into early 2010. This painting records that time. Fortunately, because where I live is so close to the sea we were spared the worst of the snow and ice as can be seen from the fields, where muted greys and browns can be seen rather than a continuous blanket of white. This is my third painting in my series of painting the same view over four seasons.
Rough November Tide at Garryvoe – Sold
Depicts a high sea during a rough evening. Sold.
Cloyne Round Tower – Sold
Painted this in two and a half weeks in December 2009. Used artistic licence in the clouds and the tower itself. The clouds are coloured more purple than reality, while the shaded stones are green; I thought they’d go nicely with the sky. Cloyne is a nearby village, with a history stretching back to the 6th century. Sold.
Garryvoe Castle
Painted this in November 2009. This castle is half a mile from my home. It’s a late Medieval tower house owned by the Carews, a local Anglo-Norman landowning family. People have been impressed by the realism of this piece.
Barletta Belfry and Cathedral
Painted while I was on holiday in Southern Italy. This view was from the balcony in my accommodation. Clear blue skies all day meant painting from life was much easier than in Ireland!
Padre Pio
This painting was a gift to my mother. But I didn’t do it simply to thank her, I found the look of Padre Pio compelling and worth painting.
Midsummer Sunset
My first time trying to capture the sun directly. I like how green the sky is.
Autumnal View of Garryvoe
I hadn’t painted for 6 months before I started this. I was determined to make a highly detailed painting as I was a little disappointed with the previous painting’s foreground. Based on a reference photo; the day I took it I wasn’t in the area, I was down by the prom walk in Garryvoe and noticed bales in the field on the higher ground. When I got there I found that they were in every field towards the sea. So I spent the next 6 months painting. The last 3 were spent on the foreground, doing those stubbles trying to depict the sunlight reflecting off of them. No compromise!
Abbey at Kenyon Street, Nenagh
I was working on an archaeological dig not far from the Tipperary town of Nenagh when I painted this. I was returning to my rented house from home the Sunday I started this. I’d forgotten my blue paints. I was annoyed for a while, thinking I’d have to wait another week before I’d start. Then I had the idea of doing the painting without blue and, using the colours I had, came up with an unusual colour scheme. Every day after work, I’d spend a few hours at it in the evening. I was very pleased with the result.
eastcorkpainter 